{"id":1285,"date":"2024-03-13T01:00:00","date_gmt":"2024-03-13T01:00:00","guid":{"rendered":"https:\/\/encounter.cz\/off-programme-performances\/"},"modified":"2026-04-01T18:57:06","modified_gmt":"2026-04-01T18:57:06","slug":"off-programme-performances","status":"publish","type":"page","link":"https:\/\/encounter.cz\/en\/off-programme-performances\/","title":{"rendered":"OFF programme performace & screenings"},"content":{"rendered":"\n
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Entrance to OFF programme performance and screenings is free. <\/p>\n\n\n\n

However, the capacity of individual performances is limited, so it is necessary to buy a ticket for 0 CZK via GoOut <\/strong>or at The Infocentre<\/a>. <\/p>\n\n\n\n

All performances and screenings take place at the Theatre Faculty (JAMU) building. The program features original works by the university’s students. The authors ensure that their work is accessible to international audiences. English subtitles may also be available for selected titles. <\/p>\n<\/div>\n\n

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18. 4.<\/h1>\n<\/div>\n\n\n\n
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CUCUMIS SENSUS<\/h4>\n<\/div>\n\n\n\n

11:00 \u2013 12:00 | Theatre Faculty | 013<\/p>\n<\/div>\n<\/div>\n\n\n\n

In this world, it is not enough just to grow. To grow freely. It must be cultivated. Cultivated so that the result is not just a product. But a perfect product. A cultivated product. By us. By me. By humans. Because I am human. I cultivate. I was bornwith a task. To cultivate. Culture. To cultivate the culture of society.\u202f \u202f Theater is the only art form that cannot be preserved through AI databases. Theater will not remain after us. A production as a futuristic ritual that seeks whose culture it is and for whom it is in a post-humanist world. \u202f \u202f Where is the next intellectual performance that no one understands? <\/p>\n\n\n\n

Crew<\/h4>\n\n\n\n

Starring: Erik V\u0161eti\u010dka\u202f Director: Anu\u0161e \u0158eh\u016f\u0159kov\u00e1\u202f Dramaturgy: Tereza Sobotkov\u00e1\u202f Written by: Anu\u0161e \u0158eh\u016f\u0159kov\u00e1, Tereza Sobotkov\u00e1 a kol.\u202f Set and graphic design: Barbora Netopilov\u00e1\u202f Video: Jasm\u00edna Georgievov\u00e1\u202f Technical support: Radan Valenta, Tom\u00e1\u0161 \u0160vejcar\u202f Production: Kl\u00e1ra \u0160kvarov\u00e1, Lucie Blechov\u00e1 <\/p>\n<\/div><\/div>\n\n

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18. 4. <\/h1>\n<\/div>\n\n\n\n
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Irenka, <\/strong><\/strong>Barbora Ku\u010derov\u00e1<\/h4>\n<\/div>\n\n\n\n

12:30 | Theatre Faculty | The Chillout Room<\/p>\n<\/div>\n<\/div>\n\n\n\n

A short photographic film about my centenarian great-grandmother Irena Dohnalov\u00e1. Her father fought in World War I, she lived in the Protectorate of Bohemia and Moravia during World War II and now hopes that she will not experience World War III. A documentary about how a centenarian sees today’s world. <\/p>\n\n\n\n

Crew<\/h4>\n\n\n\n

Barbora Ku\u010derov\u00e1 <\/p>\n\n\n\n

Starring: Irena Dohnalov\u00e1 <\/p>\n<\/div>

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18. 4. <\/h1>\n<\/div>\n\n\n\n
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Mistakes, <\/strong><\/strong>Jasm\u00edna Georgievov\u00e1 and team<\/h4>\n<\/div>\n\n\n\n

13:00 | DF JAMU | The Chillout Room<\/p>\n<\/div>\n<\/div>\n\n\n\n

Single \u2013 Mistakes by Midnight Swimmers <\/p>\n\n\n\n

Why has love become so anonymous? <\/p>\n\n\n\n

Digital loneliness, OnlyFans, porn addiction, \u201cgooning,\u201d and an obsession with online girlfriends. According to sexual behavior studies, Gen Z is having less sex than previous generations. <\/p>\n\n\n\n

Are real relationships fading as life increasingly unfolds online? Is it easier to spend a fortune and stay anonymous? <\/p>\n\n\n\n

Crew<\/h4>\n\n\n\n

Starring: Terezie Anna P\u0159ikrylov\u00e1, KE\/R <\/p>\n\n\n\n

Script: Jan Rec, Albert Pazdera <\/p>\n\n\n\n

Director: Jan Rec <\/p>\n\n\n\n

Camera: Jasm\u00edna Georgievov\u00e1 <\/p>\n\n\n\n

Costume designer: Barbora Netopilov\u00e1 <\/p>\n\n\n\n

Production and catering: Albert Pazdera <\/p>\n\n\n\n

Colorist: Petr \u010c\u00ed\u017eek <\/p>\n\n\n\n

Editors: Jan Rec, Jasm\u00edna Georgievov\u00e1, Albert Pazdera <\/p>\n<\/div><\/div>\n\n

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18. 4. <\/h1>\n<\/div>\n\n\n\n
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Bohyn\u011b \u2013 cesty osudu, Dominika Pr\u00e1\u0161kov\u00e1 and team<\/h4>\n<\/div>\n\n\n\n

13:15 | Theatre Faculty | The Chillout Room<\/p>\n<\/div>\n<\/div>\n\n\n\n

Goddess. What was she really? Some called her a mythical healer, while others whispered of her witchcraft. Yet, to many common folk, she was a revered figure, a bridge between humanity and nature, a guardian of ancient rituals, embodying the essence of womanhood with the soul of the wilds. Our tale unfolds in the past, when humans still lived in a profound symbiosis with nature, with fewer desires to conquer it. This narrative tells of a love between two young people, into which the ancient forces of nature and fate intervene. Their affection is further tested by jealousy and deceit, and laced with the fervor of the lavish Midsummer celebrations, during which our saga unfolds. The ethereal presence of the Goddess mysteriously permeates the fabric of these events, a guardian hovering over the destiny-laden paths of the enamored couple. She must tirelessly defend her position as a woman endowed with the ability to heal and see into the fates of others, from those who dare to challenge her. <\/p>\n\n\n\n

Crew<\/h4>\n\n\n\n

Director: Dominika Pr\u00e1\u0161kov\u00e1 (DF Dramatick\u00e1 tvorba a m\u00e9dia) Clapper: \u0160t\u011bp\u00e1n Blinka (HF – Hra na housle) Script: Marcel Peterka (DF abs. RTDS) Choreography: Jan Kysu\u010dan Asistent of choreography: Lenka Fu\u010d\u00edkov\u00e1 (DF abs. Tane\u010dn\u00ed a pohybov\u00e9 divadlo a v\u00fdchova) Production: Anna Varausov\u00e1 Main Camera: Michal Mich\u00e1lek Camera: Jarom\u00edr Kalina Focus puller: Dominik Schmidt, Tereza Ondry\u00e1\u0161ov\u00e1 (DF Dramatick\u00e1 tvorba a m\u00e9dia) Mistr zvuku, hl. sv\u011btlo: Petr Kholl (DF abs. ADPaJT) Light: Roman Pelda, Tobi\u00e1\u0161 Mertl (DF ADPaJT), Monika Lap\u00e1\u010dkov\u00e1 (DF abs. ADPaJT), Jan Valo\u0161ek Sound: V\u00e1clav Mari\u00e1n \u0160est\u00e1k (DF abs. ADPaJT) Technical support: Ond\u0159ej Barto\u0161ek, Ji\u0159\u00ed Mottl Costumes: Anna Ba\u0161ta\u0159ov\u00e1 Make-up, skript: Anna Horn\u00edkov\u00e1 Runner: Hugo Kundra\u010dik Runner, driver: Mat\u011bj Hors\u00e1k, Michal Kr\u016fl Driver, security: Tade\u00e1\u0161 Varaus Van: Ond\u0159ej B\u011bl\u00edk Fire: Martin Pol\u00e1\u010dek Photography: Nat\u00e1lie Divincov\u00e1 (DF abs. Dramatick\u00e1 tvorba a m\u00e9dia) Cast Bohyn\u011b: Evel\u00edna Stud\u00e9nkov\u00e1 (DF abs. Dramatick\u00e1 um\u011bn\u00ed) Eli\u0161ka: Al\u017eb\u011bta Jan\u00ed\u010dkov\u00e1 Marek: Jan Ludva (DF abs. Dramatick\u00e1 um\u011bn\u00ed) Sokyn\u011b: Monika Tomkov\u00e1 (DF abs. Herectv\u00ed) Franc: Jan Vale\u0161 (DF abs. Dramatick\u00e1 um\u011bn\u00ed) mom: Marta Mat\u011bjov\u00e1 child: V\u00e1clav Trusina Dance company: Vikt\u00f3ria Hud\u00e1kov\u00e1, Kate\u0159ina Jane\u010dkov\u00e1, Gabriela Jan\u00ed\u010dkov\u00e1, Tereza Jindr\u00e1kov\u00e1, Alena Kozlov\u00e1, Michal Kr\u016fl, Luk\u00e1\u0161 Paseka, Victor Peeters, Denis \u0160imoni\u010d Storyteller: Drahom\u00edra Hofmanov\u00e1 <\/p>\n<\/div>

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18. 4. <\/h1>\n<\/div>\n\n\n\n
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Lud\u011bk, \u0160imon P\u00e1vek<\/h4>\n<\/div>\n\n\n\n

14:15 | DF JAMU | The Chillout Room<\/p>\n<\/div>\n<\/div>\n\n\n\n

Portrait of a founding member of Brno’s L\u00ed\u0161e\u0148 Theatre and the work of this family ensemble, which focuses on puppets and is devoted to socially and politically oriented themes. <\/p>\n\n\n\n

Crew<\/h4>\n\n\n\n

\u0160imon P\u00e1vek<\/p>\n<\/div><\/div>\n\n

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18. 4. <\/h1>\n<\/div>\n\n\n\n
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Rande, Kl\u00e1ra Prchalov\u00e1 and team<\/h4>\n<\/div>\n\n\n\n

14:45 | Theatre Faculty | The Chillout Room<\/p>\n<\/div>\n<\/div>\n\n\n\n

“And they lived happily ever after” – This is how every fairy tale ends, but life is not a fairy tale. Three men, three dates, one American restaurant and one big secret that Bella’s hiding from all the boys – why?\u201d <\/p>\n\n\n\n

Crew<\/h4>\n\n\n\n

Story by, script, director: Kl\u00e1ra Prchalov\u00e1 Dramaturgy, script editor: Tereza Panocov\u00e1 a Michale Randusov\u00e1 Camera: Jan Pachol\u00edk (externista) Sound: Filip Rampas (externista) Scenography: Karol\u00edna Bal\u00e1\u017eov\u00e1 Production: Zdenka Bene\u0161ov\u00e1 Assistants production: Vilma Draho\u0161ov\u00e1, Anna Bare\u0161ov\u00e1, Marta Celkov\u00e1, Anna Sara \u010cern\u00e1 (externisti) Assistant director: Zdenka Bene\u0161ov\u00e1 Editor: Kl\u00e1ra Prchalov\u00e1 Assistant Editor: Zdenka Bene\u0161ov\u00e1 Original score: Maty\u00e1\u0161 Kyncl Soundtrack: Caramel (Maty\u00e1\u0161 Kyncl, Franti\u0161ek Hr\u00e1dek, Ond\u0159ej Kohoutek) Starring: Al\u017ebeta \u0160tub\u0148ov\u00e1 \u0160t\u011bp\u00e1n Lap\u00e1\u010dek (externist) Jan Karola David Wimmer Maty\u00e1\u0161 Walder Jan Franti\u0161ek Uher (externist) Petr Erhart Vilma Draho\u0161ov\u00e1 (externist) <\/p>\n<\/div>

\"\"<\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

Entrance to OFF programme performance and screenings is free. However, the capacity of individual performances is limited, so it is necessary to buy a ticket for 0 CZK via GoOut or at The Infocentre. All performances and screenings take place at the Theatre Faculty (JAMU) building. The program features original works by the university’s students. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1285","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/pages\/1285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/comments?post=1285"}],"version-history":[{"count":15,"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/pages\/1285\/revisions"}],"predecessor-version":[{"id":5644,"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/pages\/1285\/revisions\/5644"}],"wp:attachment":[{"href":"https:\/\/encounter.cz\/en\/wp-json\/wp\/v2\/media?parent=1285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}